Life After Sundance - A Letter from The Fledgling Fund's Executive Director, Sheila Leddy

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From The Fledgling Fund

I just returned from Sundance and can't help but think of the opportunity that this film festival presents for social issue films.  There is no doubt that it offers a potential launching pad for a social issue film, or any film for that matter, if it is used well.  I was fortunate to see (and hear about) some amazing films dealing with a range of social issues - including the U.S. educational system, the U.S.-Mexico border fence, natural gas drilling, Guantanamo Bay, Russia's transition to capitalism, civil rights, the environment....and the list goes on.   Of course, we at The Fledgling Fund are thinking 'What next?'  How will these filmmakers leverage Sundance to engage audiences in action? 

We know that these projects will take different paths.  Some will continue on the festival circuit, while others will secure or already have secured a broadcast and others will launch an alternative distribution strategy.  Some will leverage strong existing partnerships with organizations focused on the issues in their films, while others may need to start building those relationships now.  In short, in today's market there are numerous and diverse strategies that can be used to push a film out in the world.  There is no doubt that the current environment presents many more challenges for filmmakers than in years past due to the proliferation of films and the lack of clarity around distribution, but it also presents enormous opportunities to test innovative new platforms to reach new audiences.

I am hoping that filmmakers, both those at Sundance and those planning to launch their films in other ways, understand that Sundance is just one step in a long process of connecting the film and the story with audiences who care, can be moved and can be engaged! Sundance provides a tremendous platform to raise awareness about a film and to connect with those who might be interested in helping to distribute and work with the film in either a traditional or non-traditional way.  However, it is not the ONLY opportunity. In fact, for some films, depending on the topic, timing issues and other factors, there may be other festivals or distribution channels that offer a better platform to launch the film and its engagement campaign.  The key is to be clear about the project's overall social change goal and then to develop a clear strategy built on an understanding of not only the distribution avenues and social media tools available, but also on an understanding of the audiences the film is trying to reach, the state of the movement, and what that movement needs to realize the change it desires. 

I hope that any film premiering at Sundance, or at another festival, will be able to build upon the energy and momentum that a festival offers and use it to strengthen its audience engagement campaign, in order to reach key audiences, serve the movement, and achieve social impact. 

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